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    "title": "Orthodoxy",
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    "original_publication_year": 1908,
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    "subjects": [
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  "text": "The only arresting point is this: that if we suppose improvement to be natural, it must be fairly simple. The world might conceivably be working towards one consummation, but hardly towards any particular arrangement of many qualities. To take our original simile: Nature by herself may be growing more blue; that is, a process so simple that it might be impersonal. But Nature cannot be making a careful picture made of many picked colours, unless Nature is personal. If the end of the world were mere darkness or mere light it might come as slowly and inevitably as dusk or dawn. But if the end of the world is to be a piece of elaborate and artistic chiaroscuro, then there must be design in it, either human or divine. The world, through mere time, might grow black like an old picture, or white like an old coat; but if it is turned into a particular piece of black and white art--then there is an artist.",
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      "title": "Chiaroscuro: the pattern matters more than the quantity of light",
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            "question": "Does the inference from a composite outcome to a personal designer address Darwin's account of complex adaptation, or a different claim about guaranteed moral progress?"
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      "title": "Complex adaptation and a promised moral destination",
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          "exact": "But Nature cannot be making a careful picture made of many picked colours, unless Nature is personal.",
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          "prefix": "le that it might be impersonal. ",
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