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  "id": "CH03.P025",
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  "work_metadata": {
    "title": "Orthodoxy",
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    "description": "G. K. Chesterton's Orthodoxy (1908), his account of how he came to Christian belief: the full text with annotations, cited sources and commentary.",
    "original_publication_year": 1908,
    "alternate_titles": [],
    "subjects": [
      "Christian apologetics",
      "Christianity",
      "Philosophy of religion",
      "Paradox",
      "G. K. Chesterton",
      "English literature, 20th century"
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  "text": "It may be added that the same blank and bankruptcy can be observed in all fierce and terrible types of literature, especially in satire. Satire may be mad and anarchic, but it presupposes an admitted superiority in certain things over others; it presupposes a standard. When little boys in the street laugh at the fatness of some distinguished journalist, they are unconsciously assuming a standard of Greek sculpture. They are appealing to the marble Apollo. And the curious disappearance of satire from our literature is an instance of the fierce things fading for want of any principle to be fierce about. Nietzsche had some natural talent for sarcasm: he could sneer, though he could not laugh; but there is always something bodiless and without weight in his satire, simply because it has not any mass of common morality behind it. He is himself more preposterous than anything he denounces. But, indeed, Nietzsche will stand very well as the type of the whole of this failure of abstract violence. The softening of the brain which ultimately overtook him was not a physical accident. If Nietzsche had not ended in imbecility, Nietzscheism would end in imbecility. Thinking in isolation and with pride ends in being an idiot. Every man who will not have softening of the heart must at last have softening of the brain.",
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      "title": "A collapse is not a refutation",
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      "title": "Nietzsche's laughter and the standard behind satire",
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      "title": "What thought and choice need: from scattered virtues to a seamless character",
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