{
  "id": "a_uvh6zspl",
  "oid": 165342,
  "revision": 1,
  "revision_oid": 165343,
  "work": "orthodoxy",
  "edition": "pg16769-r1",
  "title": "Shot silk: woven distinction rather than blended dye",
  "anchors": [
    {
      "unit": "CH06.P026",
      "oid": 151,
      "role": null,
      "edition": "pg16769-r1",
      "paragraph": "CH06.P026",
      "exact": "it is rather like a shot silk, for a shot silk is always at right angles, and is in the pattern of the cross.",
      "start": 1025,
      "end": 1134,
      "prefix": " mixture like russet or purple; ",
      "suffix": "",
      "url": "/orthodoxy/pg16769-r1/CH06.P026#char=1025,1134"
    }
  ],
  "body_markdown": "Shot silk uses differently coloured warp and weft: the lengthwise and crosswise threads intersect while retaining their own colours. LACMA's curatorial account of a man's suit made about 1790 and altered about 1805 gives a concrete example: purple warp and green weft make the surface change with viewing angle and light. The inspected witness is the museum's modern collection entry, accession M.2007.211.800a–c, rather than an eighteenth-century textile manual. [LACMA, *Man's Suit*, Curatorial Notes](https://collections.lacma.org/object/137271).\n\nThis explains why the final image develops the shield image rather than merely repeating it. Red and white on a shield occupy adjacent areas; warp and weft are interdependent elements of one fabric. Chesterton's cross gives their intersection a Christian significance, while the weave supplies a material example of unity that preserves differences. The distinction is structural, however, not a promise that the eye never combines colours: the iridescent surface is precisely an optical interaction. His contrast with mixed purple concerns the threads' identity, not every possible appearance of the finished cloth.",
  "sources": [
    {
      "url": "https://collections.lacma.org/object/137271",
      "title": "LACMA, Man's Suit, circa 1790, altered circa 1805",
      "locator": "Accession M.2007.211.800a-c; Medium; Curatorial Notes, definition of shot silk and purple warp/green weft example",
      "exact": null
    }
  ],
  "citations": [],
  "external_references": [
    {
      "url": "https://collections.lacma.org/object/137271",
      "title": "LACMA, *Man's Suit*, Curatorial Notes"
    }
  ],
  "limits": [
    "The textile construction is documented by the museum; the progression from shield to interwoven fabric and the limits of the analogy are interpretations of Chesterton's wording.",
    "The museum object illustrates the technique; it is not proposed as Chesterton's source."
  ],
  "metadata": {
    "run": "chapter-06-restart-2026-11-07",
    "paragraph_investigator": "P026",
    "task": [
      {
        "approach": "Theological contextualization",
        "question": "Does affirming marriage and virginity together imply that the historic Church treated them as equal goods?"
      },
      {
        "approach": "Assumed knowledge and unusual language",
        "question": "How does shot silk preserve distinct colours, and where does the textile analogy cease to be literal?"
      }
    ],
    "model": "gpt-6.1-sol"
  },
  "content_sha256": "sha256:6ca7b46441783e6e566b842afec2788e914ba22f9ae3510f0740c98d736f1ff5",
  "created_at": "2026-11-07T17:39:29Z",
  "is_current": true,
  "url": "/a/a_uvh6zspl",
  "revision_path": "/a/a_uvh6zspl/r/1",
  "cited_by": []
}